Paro, a beautiful valley in Bhutan, is one of the most attractive tourist destinations of this mountenous country.

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Paro - Bhutan

Paro - the beautiful valley

Paro, the most beautiful of all Bhutan's valley, was also historically the centre of two of the most important trade routes to Tibet.

Today the new road to Phuntsholing on the Indian border runs through the valley, amid a patch work of rice, paddies, wheat fields, trout filled streams and scattered settlements.

Here the Paro Chuu flows south from its watershed in the chomolahri range. Above it in a rocky outcrop of the sleep hillside stands the Paro Dzong, at an altitude of just over 7000 feet, over looking both sides of the valley this dzong was historically one of Bhutan's strongest and most strategic fortresses. Before the rebuilding of the Tashi Chho Dzong at Thimpu, it was also the seat of the National Assembly.
The Paro Dzong has a long and fascinating history. A monastery was first guilt on the site by Padma Sambhava at the beginning of the tenth century.

When in future years, the legend goes a lama went into the forest to prepare planks for a chapel, he uttered the mantra "Hun" and the planks miraculously moved on their own town the site work on the Hunrey Gompa, carries on by the village by day, was continued at night by the spirit and the hoof marks left by their horses are still visible today as evidence for the unbelieving.

In 1646 Ngawang Namgyal built a larger monastery on the old foundations, and for centuries this imposing five storey building served as an effective defence against numerous invasion attempts by the Tibetans. Built with stones instead of clay, the Dzong was named Rinpung, meaning "heaps of jewels". Tragically Rinpung and all its treasures were destroyed by the fire in 1907. Only one thangka, known as Thongdel, was saved. Painted in remembrance of Padma Sambhavna the bringer of Buddhism, the Thongdel is a large and exquisite example of the Bhutanese art of fashioning religious scroll paintings from silk and cotton. It is believed that by visiting the monastery and paying homage to the Thongdel, the faithful can attain nirvana. It is displayed only once a year, for a few hours during the five-day spring tsechu of the Dzong.
The Paro Dzong was rebuilt by the penlop dawa Penjor right after the fire. Housed within its walls is a collection of sacred masks and costumes. Some date back several centuries; others were contributed by Dawa Penjor and his successor Penlop Tshering Penjor in recent times.

On the hill above the Dzong stands an ancient watchtower which has been, since 1967, the National Museum of Bhutan.

Inside the Dzong, at the entrance to the Paro Lhakhang, is found a Kunrey, or terrace, where the states of heaven, earth and hell are graphically depicted. Across a medieval bridge below the Dzong stands the Ugyenpelri palace, a royal residence constructed by penlop Tshering Penjor and fashioned after the heavenly abode of the revered Shabdung Rimpoche. A few miles to the north, overlooking the Paro Chuu, is found the Kyichu Lhakhang, one of Bhutan's two ablest and most sacred monasteries, dating from the introduction of Buddhism in the 18th century. (The other is the Jampa Lhakhang in Bumthang.) The central temple was erected in 1830 and a golden roof added to the monastery itself. A new extension was built by the present Queen Mother. Further up the valley, the Drukgyel Dzong, now in ruins, recalls the days when Bhutan was frequently, and successfully, attacked by armies from the north built by Ngawang Namgyal to commemorate an early military victory the Dzong name means, indeed, "Victorious Druk." Perched on top of a hill, it can be entered only from one side and this is protected by three tall towers. A unique turreted passageway, deigned to ensure water supplies in times of war, connects the fortress to the far riverbank. The Drukgyel Dzong was laid waste by fire in 1954.

Across from it, like an out growth of the terrain itself, the gem-like Taktshang monastery clings to a sheer, 3000 foot rock face. The name of this gravity defying cluster of buildings means literally "The Tiger's nest," an allusion to the popular legend that Padma Sambhava flews here from Tibet on the back of a Tiger.

Today pilgrims and others visitors reach it in a more earthbound but no less dramatic fashion by climbing on horseback up a steep and winding track.

Even higher than Taktsang, poised on a projecting rock spur, the Sang-tog Peri monastery overlooks the whole Paro valley. Built in harmony with the natural features of its site, this 300 year old retreat is, in name as well as by virtue of its lofty elevation, "the temple of heaven."

 

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